The Jane Austen Collective

William B. Warner, Professor of English, UC/ Santa Barbara
 
Schedule Early Editions Articles Resource Links Bibliography
 

English 232/ Comp Lit 236 Seminar Schedule, Fall 2011
Preferred editions for this seminar

I: 26 September Introduction and discussion of "The Jane Austen Collective"
Question: "Why study Jane Austen?"

pamela title from Early Novels Database

Family, Country House, Home County: the literary Cartography of Jane Austen
Recommended background reading: Claire Tomalin. Jane Austen: A Life. New York: Knopf, 1998.
The Wikipedia page on Jane Austen
On-line syllabus

Warner PP: The Jane Austen Collective

JA Portait CassWatercolor

II: 3 October: Pride and Prejudice & Loving Jane; or, taking account of the Janeites

Primary reading
: Pride and Prejudice, Selected juvenilia (Three Sisters; The Watsons[Kristy McCants]; poems; and read around); please web surf The Jane Austen Society of the UK Austen British and The Jane Austen Society of North American Societies as well as the resource and on-line discussion at The Republic of Pemberley, “Your haven in a world programmed to misunderstand obsession with things Austen.”

Critical reading:
Deidre Lynch. "Introduction: Sharing with Our Neighbors"Janeites: Austen's Disciples and Devotees. Ed. Deidre Lynch. Princeton: Princeton University Press, 2000. [Lizzie Allen]
Claudia Johnson. “The Divine Miss Jane.” Janeites, 25-44. [Bethany Wong]
Mary Ann O’Farrell. “Jane Austen’s Friendship,” Janeites, 45-62. [Sammy Bosch]
Deidre Lynch. "Cult of Jane Austen." and "Sequels" Jane Austen In Context. Ed. Janet Todd. Cambridge: Cambridge University Press, 2005.  160-168. [Leah Fry]

III: 10 October: Pride and Prejudice: the Power of Fantasy
Primarcy Reading: Pride and Prejudice

Chatsworth

Critical reading:
Dorrit Cohn.From Transparent Minds: Narrative Modes for Presenting Consciousness, from McKeon, Theory of the Novel [Chris Walker]
Franco Moretti. “The Novel, the Nation-state.” From Atlas of the European Novel, 1800-1900. New York: Verso, 1998. 11-57. [Kyle Busy]
Deidre Lynch. “Jane Austen and the Social Machine,” Chapter 5, The Economy of Character [Tom Doran]

WW Presentation: JAS.AJA.Pride.and.Prejudice

IV: 17 October: Sense and Sensibility: the Detours of Desire
Primary Reading: Sense and Sensibility: A Novel. By a Lady

SS
Sense and Sensibility Starting Points
Sense and Sensibility offers Austen's most heartfelt representation of desire--not just in the romantic figure, Marianne, but in the quiet suffering of her elder sister Elinor. It has been read as a novel that condemns not just the cult of sensibility, but the whole Romantic project of exalting the self over the social. Our point of departure willl be two important essays. 
The first comes from Peter Knox-Shaw's important recent book Jane Austen and the Enlightenment. Cambridge: Cambridge UP, 2004. ?It argues that Austen should not be seen as a Tory, anti-Jacobite, Burkean conservative, (as Marilyn Butler had claimed) but as strongly influenced, through her father and brothers, by the modernizing currents of late 18th century Scottish Enlightenment. Next we'll move to Tony Tanner's passionate defense of Marianne in "Secrecy and Sickness: 'Sense and Sensibility'". It offers a forceful reponse to the critical question that has been central to the modern reception of this novel: is Marianne the sacrificial lamb in Austen's doctrinaire elevation of sense over sensibility, Elinor over Marianne? Or, alternatively, should we find a way to put important emphasis upon the copula (the "and") in the novel's title? 

Critical Reading: Tony Tanner. "Secrecy and Sickness: 'Sense and Sensibility'" from Jane Austen, Cambridge, Mass: Harvard: 1986, 75-102. [Lizzie Allen]
Peter Knox-Shaw. “Sensibility and the Philosophers” in Jane Austen and the Enlightenment. Cambridge: Cambridge UP, 2004. [Mary Jane Davis]

Recommended reading: William B. Warner, "Resistance on the Circuit: the Novel in the Age of the Post". NOVEL: A FORUM IN FICTION. Special Issue, ed. Nancy Armstrong. 2009.

V: 24 October: Catherine & Northanger Abbey: an naïve young Girl enters the world & the problematic of the 'first time'
Primary reading: “Catherine” [Liz Shayne]; Northanger Abbey


Radcliffe.RF

 

Warner PP: Plotting Plot in Sense and Sensibility

Critical reading: Lisa Zunshine. "Why Jane Austen Was Different, and Why We May Need Cognitive Science to See It." In Style. [Kristy McCants]

VI: 31 October: Lady Susan & Mansfield Park: the intriguing Libertine
Primary Reading: Lady Susan [Lizzie Shaughnessy], Mansfield Park

LS

Honored Guest: Dean David Marshall

Critical Reading:
Lionell Trilling, "Mansfield Park" [Tom Doran], in The Opposing Self, New York: Viking, 1950. 206-230.
Edward Said, “Jane Austen and Empire,” from Culture and Imperialism, 80-96.  [Mary Jane Davis]
David Marshall. “True Acting and the Language of Real Feeling: Mansfield Park” In The Frame of Art: Fictions of Aesthetic Experience, 1750-1815. 72-90. Google Books [Sammy Bosch]

Recommended reading: "Lover's Vows, by Elizabeth Inchbald (This link includes the Mansfield Park casting. A quick reading of this play will allow you to follow the nuances of the casting decisions (and refusals) made by Austen's characters.


VII: 7 November: Mansfield Park & Performing Virtue
MP

Honored Guest: Summer Star

First Edition (1814): Mansfield Park: A Novel. Volume 1; Volume II; Volume III

Critical Reading:
Ian Watt. (After dinner speech at San Francisco) “Jane Austen and the Traditions of Comic Aggression - Sense and Sensibility.” [Kyle Busy]
Summer Star. “If Your Right Hand Offends You . . . ”: Anger and the Principle of Moral Regeneration in Mansfield Park.” Persuasions. Vol 29, no1 (Winter, 2008). [Leah Fry]

VIII: 14 November:  Emma & Authorship/ Sovereignty
Primary Reading: Emma


Emma

 

Edition:
Emma: A Novel. First edition digital version in Google Books
Volume I; Volume II; Volume III

Critical readings:
Lionel Trilling, “Emma and the Legend of Jane Austen” “It is possible to say of Jane Austen, as perhaps we can say of no other writer that the opinions which are held of her work are almost as inter­esting, and almost as important to think about, as the work itself….”
Peter Knox-Shaw."Emma and the flaws of Sovereignty," (in Jane Austen and the Enlightenment, Cambridge: Cambridge UP, 2004, 197-219) (8) [Chris Walker] 


IX: 21 November: Emma and Moral Correction
Primary Reading: Oct 1815, Quarterly Review of Emma, Walter Scott

 

NA

Critical readings:
Norton Critical Edition:
100 year Criticism Anthology: Responses to Emma.
Claudia Johnson. "Not at all what a man should be!": Remaking English Manhood in Emma," in Equivocal Beings: Politics, Gender, and Sentimentality in 1790s (Chicago: Univ of Chicago P, 1995), 191-201. [Bethany Wong]

X: 28 November: Persuasion: Rereading and second chances

Primary Reading: Persuasion

Recommended critical Reading:
Rohrbach. Emily. "Austen’s Later Subjects," SEL Studies in English Literature 1500-1900, Volume 44, Number 4, Autumn 2004, pp. 737-752

Bath.assemblyroom
End of Seminar Dinner for Show and Tell ?
 
Seminar Paper Assignment
Due: 10th of June (but you can hand in earlier)
•15 pages or more, plus works cited (MLA format)
•write on one novel from this seminar
•work up a topic and read appropriate criticism and/or archival texts
•develop a reading of some aspect of the novel
•Caution: this is an apprentice piece. Please hand in your paper on time

Early Editions

(In the approximate order in which they will be read)

Aphra Behn, Oroonoko (1688)

Eliza Haywood, Fantomina: or, Love in a Maze (1725)

Samuel Richardson, Pamela (1741: 2nd edition)

Samuel Richardson, Familiar Letters (1741), the kernel of the Pamela story (#138-139)

Henry Fielding, Shamela (1741) & Joseph Andrews (1742)

Denis Diderot: "Eloge de Richardson" in Journal etranger, Jan. 1762 (WBW selections)

Henry Fielding,“An enquiry into the causes of the late increase of robbers; etc.” (1751)

Samuel Johnson, Rambler #4 (Saturday, 31 March 1750),

Lawrence Sterne, A Sentimental Journey Through France and Italy, by Mr. Yorick (1768)

Frances Burney, Evelina; or, A Young Lady's Entrance into the World. In a series of Letters. (2nd edition, 1779)

Jane Austen,

Sense and Sensibility (1811) (Gutenberg)
Pride and Prejudice (1813) (Austen.com)
Mansfield Park (1814)(Austen.com) with the Inchbald play Lover's Vows
Emma (1815)(Austen.com)
Northanger Abbey (1818/1808)(Gutenberg)
Persuasion (1818)(Austen.com)
Juvenilia found on this Short Table of Contents (Pemberley.com)

Sir Walter Scott: Quarterley Reivew of Emma (January, 1821) (Project Gutenberg)

William Hogarth: The Harlot's Progress (Wikipedia)

 

Articles and Book Chapters

Jane Austen Articles

Cohn, Dorrit: "Transparent Minds: Narrative Modes for Presenting Consciousness in Fiction"

Johnson,Claudia. "Not at all what a man should be!": Remaking English Manhood in Emma," in Equivocal Beings: Politics, Gender, and Sentimentality in 1790s (Chicago: Univ of Chicago P, 1995), 191-201.

___. “The Divine Miss Jane.” Janeites, 25-44. 

Knox-Shaw, Peter. “Sensibility and the Philosophers” in Jane Austen and the Enlightenment. Cambridge: Cambridge UP, 2004. (4)  

___. "Emma and the flaws of Sovereignty," (in Jane Austen and the Enlightenment, Cambridge: Cambridge UP, 2004, 197-219) 

Lynch, Deidre. "Jane Austen and the Social Machine," from The Economy of Character, Chicago: U of Chicago Press, 1998, 207-239.)

___. "Introduction: Sharing with Our Neighbors"Janeites: Austen's Disciples and Devotees. Ed. Deidre Lynch. Princeton: Princeton University Press, 2000.

___. "Cult of Jane Austen"Jane Austen In Context. Ed. Janet Todd. Cambridge: Cambridge University Press, 2005.

___. “Sequels.” 160-168. 

Marshall, David. “True Acting and the Language of Real Feeling: Mansfield Park” In The Frame of Art: Fictions of Aesthetic Experience, 1750-1815. 72-90. Google Books.

Moretti, Franco. “The Novel, the nation-state.” From Chapter 1, Atlas of the European Novel, 1800-1900. New York: Verso, 1998. 11-57. (3)

O’Farrell, Mary Ann. “Jane Austen’s Friendship,” Janeites, 45-62. (2)

Rohrbach. Emily. "Austen’s Later Subjects," SEL Studies in English Literature 1500-1900, Volume 44, Number 4, Autumn 2004, pp. 737-752

Edward Said, “Jane Austen and Empire,” from Culture and Imperialism, 80-96. 

Star, Summer. ““If Your Right Hand Offends You . . . ”: Anger and the Principle of Moral Regeneration inMansfield Park.” Persuasions. Vol 29, no1 (Winter, 2008); http://www.jasna.org/persuasions/on-line/vol29no1/star.html

Tanner, Tony. "Secrecy and Sickness: 'Sense and Sensibility'" (from Jane Austen, Cambridge, Mass: Harvard: 1986, 75-102.

Tanner, Tony. "Knowledge and Opinion: 'Pride and Prejudice'", (from Jane Austen, Cambridge, Mass: Harvard, 1986, 75-102)

Lionel Trilling, “Emma and the Legend of Jane Austen

Warner, William B. "Resistance on the Circuit: the Novel in the Age of the Post". NOVEL: A FORUM IN FICTION. Special Issue, ed. Nancy Armstrong. 2009.

Watt, Ian. (After dinner speech at San Francisco) “Jane Austen and the Traditions of Comic Agression - Sense and Sensibility.”

Zunshine, Lisa. "Why Jane Austen Was Different, and Why We May Need Cognitive Science to See It." In Style. (5)

 

Rise of the Novel Articles

Armstrong, Nancy. “The Fiction of Bourgeois Morality and the Paradox of Individualism.”  Moretti,  Novel, II: 349-388

____. Ed. NOVEL: A FORUM IN FICTION. 3 Special Issues. Tables of Contents

Black, Scott. “Quixotic Realism and the Romance of the Novel.” Novel: A Forum in Fiction, 42:2, 239-244.

Duncan, Ian. “Waverley (Walter Scott, 1814)" in Moretti, Novel, II: 173-180

Levine, Caroline. "Narrative Networks: Bleak House and the Affordances of Form." Novel: A Forum in Fiction, 42:3 517-523.

Lynch, Deidre."Agoraphobia and Interiority in Frances Burney's Fiction," from The Economy of Character: Novels, Market Culture, and the Business of Inner Meaning. Chicago: U of Chicago Pr., 1998. 164-207.

Lyons, John D. "The Emergence of the Novel." From A New History of French Literature. Ed. Denis Hollier. Cambridge, Mass: Harvard UP, 1998. 350-354.

Kennedy, Meegan. "Some Body's Story: the Novel as Instrument." Novel: a Forum in Fiction. 42:3, 451-459.

Moretti, Franco. “History of the Novel, Theory of the Novel,” Novel: a Forum in Fiction, 43:1, 1-10.

____. Graphs, Maps, Trees, 1-33

____. ed. THE NOVEL. 2 vols. Preface and Table of Contents 

____. "Network Theory, Plot Analysis. New Left Review 68, Mar April 2011. 80-102.

Price, Leah. The Anthology and the Rise of the Novel: from Richardson to George Eliot. Chapter 1. Chapter 1, Part 2. Cambridge: Cambridge UP, 2000.

Rose, Mark. "Authors as Proprietors"

Siskin, Clifford & William Warner, This is Enlightenment: “Introduction: this is Enlightenment,” 1-33. Chicago: University of Chicago Press, 2010.

St. Clair, William. "The Political Economy of Reading"

Trumpener, Katie. Bardic Nationalism: The Romantic Novel and the British Empire. Chapter 3, "National Character". Princeton: Princeton UP, 2000.

Watt, Ian. The Rise of the Novel, chapters 1 "Realism and Novel Form" & 2 "The reading public and the rise of the novel", 9-59, and chapter 5 "Love and the novel, 135-173.


 

Resource Links

Useful Links

General Research Resources (accessible through UCSB Davidson Library proxy server): OED, Historical Dababases; e-journals; etc.

Title pages of 18th and 19th century novels

Pemberly.com - Wealth of online resources about Jane Austen

Austen Society of North America - "Dedicated to the study and celebration of the classic English author. Find out how to join the Society, or order journals and newsletters."

Stanford Center for the Study of the Novel

Clarissa, 3rd edition http://www.english.upenn.edu/Projects/Clarissa/3rdEdition

Homegrown Resources

[These notes and questions were developed for students of the rise of the novel in Britain--WBW]

General Paradigms for Interpreting Novels

The Pamela Media Event (1740-1742)

Bakhtin and Joseph Andrews

Jane Austen & Mansfield Park & Persuasion : notes and questions on Cohn, Said, Trilling, Anderson, Lynch, Galeprin

 

 

Bibliography

Novel as Print Media Culture: Bibliography 

Fall, 1995 ; updated Spring 2011

Contemporary Criticism, Theory, and History:

Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism (London: Verso, 1991) Revised edition.

Armstrong, Desire and Domestic Fiction. (Oxford: Oxford UP, 1987.)

Armstrong, Nancy. Ed. Novel: A Forum on Fiction. Theories of the Novel Now, Part I (Summer 2009); Part II (Fall 2009); Part III (Spring 2010)

Armstrong, Nancy. “The Fiction of Bourgeois Morality and the Paradox of Individualism.” In Moretti, 2006, II: 349-388.

Armstrong, Nancy and Tennenhouse, Lenny. The Imaginary Puritan: Literature, Intellectual Labor, and the Origins of Personal Life (Berkeley: U of California P, 1992).

Bakhtin, Mikhail M. Selections of The Dialogical Imagination. From Theory of the Novel: A Historical Approach. Ed. By Michael McKeon, Baltimore: Johns Hopkins UP, 321-353.

Ballaster, Ros. Seductive Forms: Women’s Amatory Fiction from 1684 to 1740. (Oxford: Oxford UP, 1992.)

Bender, John. Imagining the Penitentiary (Chicago: U of Chicago P, 1987).

Berlant, Lauren . Introduction to The Anatomy of National Fantasy: Hawthorne, Utopia, and Everyday Life. Chicago: U of Chicago Pr., 1991. 1-17.

Brown, Laura. Ends of Empire: Women and Ideology in Early Eighteenth-Century English Literature. (Ithaca: Cornell UP, 1993).  

Butler, Judith. Bodies That Matter: On the Discursive Limits of “Sex” (New York: Routledge, 1993.)

Campbell, Jill. Natural Masques: Gender and Identity in Fielding’s Plays and Novels. (Stanford: Stanford UP, 1995).

Chartier, Roger. The Order of Books: Readers, Authors, and Libraries in Europe between the Fourteenth and Eighteenth Centuries Trans by Lydia G Cochrane. (Stanford: Stanford UP, 1994.)

Cohen, Margaret and Dever, Carolyn. Ed. The Literary Channel: the Inter-National Invention of the Novel: Princeton: Princeton UP, 2002.

Cohn, Dorrit ."Transparent Minds: Narrative Modes for Presenting Consciousness in Fiction" from McKeon, Theory, 493-515.

Davidson, Cathy. Revolution and the Word: the Rise of the Novel in America. (New York: Oxford UP, 1986.

DeCerteau, Michel. The Practice of Everyday Life Trans. By Steven F. Rendall. (Berkeley: U of California P, 1984. )

Duncan, Ian. “Waverley (Walter Scott, 1814),” in Moretti, 2006, II: 173-180.

Feather, John. A History of British Publishing. (London: Routledge, 1991)

Festa, Lynn ."Sentimental Bonds and Revolutionary Characters: Richardson's Pamela in England and France", The Literary Channel, ed. Margaret Cohen and Carolyn Dever, Princeton: Princeton UP, 2002, 73-105.

Gallagher, Catherine. Nobody’s Story: the Vanishing Acts of Women Writers in the Marketplace 1670-1820. (Berkeley: U of California P, 1994).  

Gardiner, Judith Kegan. “The First English Novel: Aphra Behn’s Love Letters, the Canon, and Women’s Tastes.” Tulsa Studies in Women’s Literature. Volume 8, No 2. Fall 1985, 201-222.

Goulemot, Jean Marie. Forbidden Texts: Erotic Literature and its Readers in Eighteenth Century France. Philadelphia: U of Pennsylvania P, 1994.

Gwilliam, Tassie. Samuel Richardson’s Fictions of Gender.  (Stanford: Stanford UP, 1993.)

Hunter, J. Paul. Before Novels: the Cultural Contexts of Eighteenth Century English Fiction. New York: Norton, 1990.

International Encyclopedia of Communications Oxford University Press: New York, 1989.

Johnson, Claudia. Equivocal Beings: Politics, Gender, and Sentimentality in 1790s. (Chicago: Univ of Chicago Pr, 1995)

Laclau, Ernesto and Mouffe, Chantal. Hegemony & Socialist Strategy: Towards a Radical Democratic Politics. (London: Verso, 1985).

Lynch, Deidre."Introduction" to Janeites: Austen's Disciples and Devotees, Princeton: Princeton UP, 2000. Table of contents, 3-24.

____. The Economy of Character: Novels, Market Culture, and the Business of Inner Meaning.Chicago: U of Chicago Press, 1998

Kernan, Alvin. Samuel Johnson & the Impact of Print. (Princeton: Princeton UP, 1987)

Knox-Shaw, Peter. Jane Austen and the Enlightenment, Cambridge: Cambridge UP, 2004.

Marshall, David. "True Acting and the Language of Real Feeling: Mansfield Park", from Varieties of Aesthetic Experience (forthcoming)

Matthiessen, F. O. Selection from American Renaissance. London: Oxford UP, 1941. 242-282

McLuhan, Marshall. The Gutenberg Galaxy: the Making of Typographical Man. (Toronto: U of Toronto P, 1962). 

Moretti, Franco. "Graphs, Maps, Trees: Abstracts Models for Literary History", New Left Review 24, November-December 2003. 

_____. "The novel, the nation state", in Atlas of the European Novel: 1800-1900. London: Verso, 1998. 10-47.

Moretti, Franco. Ed. The Novel. Volume I: History, Georgaphy, and Culture. Princeton: Princeton UP, 2006.

_____. Ed. The Novel. Volume II: Forms and Themes. Princeton: Princeton UP, 2006.

Paulson, Ronald. Hogarth: the Modern Moral Subject (1697-1732)  (New Brunswick: Rutgers UP).

Price, Leah. The Anthology and the Rise of the Novel: from Richardson to George Eliot. Cambridge: Cambridge UP, 2000.

Rose, Mark. Authors and Owners: the Invention of Copyright. (Cambridge: Harvard UP, 1993.)

Roussel, Roy. The Conversation of the Sexes, “Fanny Hill and the Androgenous Reader.” (New York: Oxford UP, 1986).

Said, Edward. Culture and Imperialism. New York: Alfred A. Knopf, 1993. i-xxviii; 62-97.

Tanner, Tony. Jane Austen. Cambridge, Mass.: Harvard UP, 1986.

Trumpener, Katie. Bardic Nationalism: the romantic novel and the British Empire. Princeton: Princeton UP, 1997.

Turner, Cheryl. Living by the Pen: Women Writers in the Eighteenth Century. (London: Routledge, 1992).

James Grantham Turner: “Novel Panic: Picture and Performance in the Reception of Richardson’s Pamela” in Representations 48. (Berkeley: U of California P, 1994).

Warner, Michael Letters of the Republic: Publication and the Public Sphere in Eighteenth Century America (Cambridge: Harvard UP, 1990).

Warner, William B. Licensing Entertainment: the Elevation of Novel Reading in Britain, 1684-1750. Berkeley: U of California Pr., 1998.

_____ “Licensing Pleasure” in The Columbia History of the British Novel. Ed. John Richetti. New York: Columbia UP, 1994, 1-22.

Watt, Ian. The Rise of the Novel (Berkeley: U of California P, 1957)

Woodmansee, Martha. “Toward a Genealogy of the Aesthetic: the German Reading Debate of the 1790s.”  Cultural Critique, 11 (Winter 1988-1989). 203-221.

 
 

Preferred editions for this seminar:

1: Catharine: and Other Writings. Edited by Margaret Doody and Douglas Murray. (Oxford World's Classics) [Paperback]
Publisher: Oxford University Press, USA; Reissue edition (August 3, 2009)
2:  Northanger Abbey. Edited by Claire Grogan
Paperback: 280 pages
Publisher: Broadview Press; 2nd edition (April 29, 2002)
3: Sense and Sensibility. Edited by Kathleen James-Cavan. 427p.
Publisher: Broadview Press (April 3, 2001)
4: Pride and Prejudice. Edited by Robert Irvine.  
Publisher: Broadview Press; 1 edition (December 20, 2001)
5: Mansfield Park.  Ed. Jane Sturrock.
Broadview Press; 1 edition (April 3, 2001)
6: Emma. Edited by Kristin Flieger Samuelian. 453pp.
Publisher: Broadview Press; 1 edition (May 7, 2004)
7: Persuasion. Edited by Linda Bree. 312 pp.
Paperback: 312 pages
Publisher: Broadview Press (August 11, 1998)

 

 
UCSB English Transcriptions Early Modern Center with Links to Databases