Theme Courses Theme Events Theme Links

The 2006-2007 EMC theme is “Making Publics, 1500-1800.” We hope to explore “publics” as forms of voluntary communities built on the shared interests, tastes, and desires of individuals. Such micro communities coalesce around certain practices, areas of interest, and forms of publication and/or performance. This theme confronts the relationship between publics and the broader social/political field of early modern Europe as well as the emergence of the ideal of the public as a feature of modern political culture. “Making Publics, 1500-1800” asks questions about publics as problematic phenomena, exploring the conditions and dynamics surrounding their emergence and formation.

This theme highlights the EMC’s participation in “Making Publics: Media, Markets, and Association in Early Modern Europe, 1500-1700.” This interdisciplinary and international project centered at McGill University aims to, in the words of the project team, “develop an innovative and potentially transformative approach to the history of early modernity."

Each year the Early Modern Center and its affiliates organize a number of exciting courses and events around the yearly theme. Several early modern graduate and undergraduate courses will be in dialogue with the year’s theme. The EMC will host a Fall colloquium on the theme, a “Making Publics” Winter Conference, as well a Spring undergraduate conference showcasing students’ work from participating courses throughout the year.


Making Publics Courses

(Spring 2007) ENGL 10EM: Introduction to Literature (Undergraduate)
   
(Spring 2007) ENGL 101: English Literature from the Medieval Period to 1650 (Undergraduate)
In this course, we'll be making the acquaintance of English literature of the middle ages and Renaissance. Among the authors we'll read will be Geoffrey Chaucer, Edmund Spenser, Christopher Marlowe, William Shakespeare, and John Donne. The course will require timely reading, regular attendance, active participation, two 5-to-6 page papers, and a comprehensive final examination.
   
(Spring 2007) ENGL 105A Shakespeare: Poems and Early Plays (Undergraduate)
Major poems and plays of Shakespeare, 1593-1602, including such works as the Sonnets, Hamlet, A Midsummer Night's Dream, Henry the Fourth, Twelfth Night.
   
(Spring 2007) ENGL 197 Upper-Division Seminar : Early Modern Romance (Undergraduate)
In Cervantes' Don Quixote, the Knight of La Mancha famously loses himself in romances, heroic tales of amorous intrigues and knightly adventures. Why were these tales of knights and dragons, wizards and women warriors - these tales that Cervantes lovingly skewers - so immensely popular in the early modern period? How did these imagined worlds reflect, refract, or simply disregard the real world that readers of romance inhabited? In this course we will read a selection of romances, focusing primarily but not exclusively on the forms the genre takes in early modern England. Our goal will be to attend to the kinds of cultural work that the genre of romance performs. Topics of discussion will include the functions of genre; the power of nostalgia; the politics of gender; the ethics of representing violence; and the problem of justice. After getting our feet wet with selections from Homer's Odyssey and Virgil's Aeneid, we will turn to texts such as Ariosto's Orlando Furioso, Spenser's The Faerie Queene, Shakespeare's The Tempest, Cervantes' Don Quixote, and Wroth's Urania.
   
(Spring 2007) ENGL 231 Studies in Renaissance Literature : The Faerie Queene (Graduate)
In this course we will read Edmund Spenser's The Faerie Queene in its entirety. Our goal will be to attend to the ways in which Spenser's epic is responsive both to literary tradition and to the pressing concerns of the historical moment in which it was written. Topics of discussion will include epic, romance, and genre theory; allegory and Christian hermeneutics; iconoclasm and literary form; representations of gender; erotic language and sexual desire; ethnography and the project of empire; and England's presence in Ireland and the New World.
   
(Spring 2007) ENGL 232 Studies in Restoration and Eighteenth-Century Literature : Libertine Literature and Eighteenth-Century Fiction (Graduate)
We study and discuss a variety of works (poetry, drama, short and long fiction) relating to “libertinism,” a complex early modern cultural movement characterized by religious skepticism, resistance to political and religious authority, flouting of middle-class social conventions, disregard of moral constraint, violence against urban authority, and promotion of a varied and hedonistic sensualism (including male and female bi-sexuality), among other traits. We shall test the argument (advanced by James G. Turner) that libertinism was not a single cultural entity with different facets, but three distinct movements of thought comprising religious, philosophical, and sexual libertinism. We shall begin with Milton’s representation of sexual relations in Paradise Lost, esp books 4, 5, 8, and 9, then move on to other works of the English Restoration, including Behn’s The Fair Jilt, Wycherley’s The Country Wife, and the poems of Rochester. We shall also read English translations of the “big three” French libertine prepornographic classics, The School of Venus (1680),Venus in the Cloister (1725), and A Dialogue Between a Married Lady and a Maid (1740), as well as an important early 18c medical treatise on sexuality and venereal disease, all available in When Flesh Becomes Word (2004). The course will conclude with an exploration of libertinism in Defoe’s Roxana, Richardson’s Pamela, Fielding’s Shamela and Joseph Andrews, and Cleland’s Memoirs of a Woman of Pleasure (Fanny Hill). One ten page term paper, some in-class writing, and discussion. Reader discretion strongly advised.
   
(Spring 2007) ENGL 10EM: Introduction to Literary Study (Undergraduate)
Acquaints students with purposes and tools of literary interpretation. Introduces techniques and vocabulary of analytic discussion and critical writing. Emphasis is on early modern studies. The class also introduces students to the Early Modern Center located within the English Department.
   
(Winter 2007) ENGL 162: Milton (Undergraduate)
Milton wrote his major poems to provide readers with imaginative experiences through which they would come to know themselves and God aright, and thereby acquire the moral and political knowledge, the virtue, and the wisdom that would secure them inner freedom, outward liberty, and an understanding of the sources of their own happiness and misery. Our job in this course will be to undergo a literary experience that is answerable to Milton's poetic and spiritual aims in his major works and most especially in Paradise Lost and Paradise Regained. To this end we'll engage in a close reading of his two most important poems, but also read enough of his earlier poetry and prose to make ourselves conversant with Milton's emerging poetic ambitions and with the language and the political and theological issues of the time, so we can be fit readers of his poems, able to understand them from the perspective of seventeenth century readers as well as our own. The class will be conducted largely as a workshop in which we interrogate the texts and our readings of them and work on passages and scenes that puzzle and confuse us. We'll also write several short exploratory papers and one longer paper inquiring into some problem of particular interest to us in Paradise Lost or Paradise Regained.
   
(Winter 2007) ENGL 231 Studies in Renaissance Literature : English Broadside Ballads, 1500-1800 (Graduate)
Note: Attendance in Giles Bergel's Fall Colloquium (which meets every other week, Wed. 11-1:30 pm), titled "New Approaches to Media History and Criticism," is highly recommended as preparation for this winter grad course described below. We will study the culture of the most published and most read of literary forms in early modern England: the broadside ballad. In the first half of the course, we will situate ballads within their historical, political, social, and aesthetic contexts. We will read a sampling of ballads of the period together with critical works about them, and consider the kinds of persons who wrote and published ballads, as well as the nature of ballad music (tunes and refrains), formal features of the ballads (woodblock images, black-letter print, meter), practices of circulation, and some recurrent themes popular in the period. In the second half of the course, we shall enter workshop mode, focusing on reading, analyzing, and mounting online transcriptions of an citations for some of the 1,857 ballads in the important Samuel Pepys collection. As part of this "hands on" approach, excursions to the UCSB library and to the Huntington library will be offered. The workshop part of the course will involve students in the Early Modern Center's ongoing enterprise to create an unprecedented English Ballad Archive, 1500-1800, funded by the NEH, beginning with the ballads collected by Pepys. REQUIREMENTS: Regular attendance and participation. 1) for students relatively new to ballad study (those who did not take my ballad course in Fall 2004: one oral report (5-10 minutes) on a group of ballads we have read for the day; 10 ballad transcriptions (or comparable work on the Pepys ballad project, such as completing full citations for 10 ballads, checking ballad transcriptions and citations, or, for the courageous, singing and recording ballad songs); and a research essay (10 pages in length). 2) for continuing students from the Fall 2004 ballad course: one oral report (5-10 minutes) on the topic of ballad culture you have been investigating (as well as a short written essay, on the subject); also, reading all the ballads in the Pepys category you have been assigned and writing another short essay about them. Essays should be 4-6 pages. The second essay may be submitted at the end of spring quarter.
   
(Winter 2007) ENGL 265 Seminar in Special Topics (Graduate)
   
(Winter 2007) ENGL 197: Upper Division Seminar: Metaphysical Poets (Undergraduate)
   
(Winter 2007) ENGL 10: Introduction to Literature (Undergraduate)
   
(Winter 2007) ENGL 10: Introduction to Literature (Undergraduate)
   
(Winter 2007) ENGL 10: Introduction to Literature (Undergraduate)
   
(Winter 2007) ENGL 15: Introduction to Shakespeare (Undergraduate)
Close study of five representative plays: The Merchant of Venice, A Midsummer Night’s Dream, Hamlet, Othello, The Tempest. We will study these plays with attention both to historical context and to the way the plays have worked as dramas at various times in the last four hundred years. Film and audio clips will be used as illustrations. The course is suitable both for majors and for non-majors interested in Shakespeare. Written work: quizes on each play, two papers, and a final exam.
   
(Winter 2007) ENGL 101: English Literature from the Medieval Period to 1650 (Undergraduate)
This course introduces students to British literature of the middle ages and Renaissance. In addition to paying close attention to literary form, we will concentrate on relating medieval and early modern poetic, dramatic, and prose texts to the historical contexts in which they were written. Writers we will discuss will include Geoffrey Chaucer, Edmund Spenser, Christopher Marlowe, and John Donne. Requirements: careful reading, regular attendance, active participation, two analytical papers, and a final exam.
   
(Winter 2007) ENGL 102: English and American Lit. from 1650-1789 (Undergraduate)
This class on British and American literature of the "long 18th century"(1660s-1790s) will examine a range of anglophone representations of authority and authorship in the politically and culturally lively period that extends from the English Civil Wars through the American War of Independence. We'll be reading works by Aphra Behn, Benjamin Franklin, John Milton, and Alexander Pope, as well as the first Gothic novel, to see how these texts map out some of the period's national and transatlantic conversations.
   
(Winter 2007) ENGL 102S Seminar for English and American Lit. from 1650-1789 (Undergraduate)
   
(Winter 2007) ENGL 105A Shakespeare: Poems and Early Plays (Undergraduate)
In this course we will study six plays from the first half of Shakespeare’s career: Titus Andronicus, Hamlet, 1 Henry IV, Henry V, The Merchant of Venice, and As You Like It. We will also consider a selection of Shakespeare’s sonnets and view film versions of some of the plays. Requirements: careful reading, regular attendance, active participation, two analytical papers, and a final exam.
   
(Winter 2007) ENGL 105B Shakespeare: Later Plays (Undergraduate)
   
(Winter 2007) ENGL 105BS Seminar for Shakespeare: Later Plays (Undergraduate)
   
(Winter 2007) ENGL 165: Topics in Literature (Undergraduate)
   
(Fall 2006) ENGL 15: Introduction to Shakespeare (Undergraduate)
   
(Fall 2006) ENGL 101: English from the Medieval Period to 1650 (Undergraduate)
Texts to Include: Norton Anthology of English Literature: Volumes A, B, C: The Middle Ages, The Sixteenth Century/The Early Seventeenth Century, Restoration and the Eighteenth Century. 8th Edition.
   
(Fall 2006) ENGL 101S: Seminar for English Lit. from the Medieval Period to 1650 (Undergraduate)
   
(Fall 2006) ENGL 197 Upper Div Seminar: Shakespeare and Gender (Undergraduate)
Texts Include: Hamlet As You Like It A Compact Documentary Life A Year in the Life
   
(Fall 2006) Introduction to Literature: Print Culture (Undergraduate)
   
(Fall 2006) ENGL 114: Women and Literature (Undergraduate)
This course will explore the idea and history of “women’s writing” in relation to the early modern print market and notions about publicity, domesticity, professionalism, and educational privilege that are still with us today. We will read poetry, fiction, prose, drama, and letters by 17th- and 18th-c. writers, including Astell, Behn, Finch, Montagu, Philips, and Scott, along with current scholarship on these writers and their contexts. Individual seminars will focus on representations of the female body and codes of femininity; female communities and utopias; satiric representations of women; debates on female education and authorship; the "consumer revolution"; and literary canon formation (who decides what is worth reading?) -- then and now.
   
(Fall 2006) ENGL 162: Milton (Undergraduate)
We study and discuss John Milton's Paradise Lost and other poetry and prose by Milton. We also read selected criticism on Paradise Lost. Required work: midterm, term paper, final, and possible group presentation .
   
(Fall 2006) ENGL 197 Upper-Div Seminar: The Unread Shakespeare (Undergraduate)
We'll begin this course by choosing eight plays by Shakespeare that no one (or nearly no one) in the class has read. We will then spend a week on each of them with a final week for a mini-conference on the papers you will by then be writing. In addition to the term paper, there will be very brief position papers each week on the play for that week and a 90 minute final exam. The premises for the course are that every one of Shakespeare's plays will reward our attention and that even an accidental collection of them will reveal valuable and interesting patterns we would otherwise not have expected. I've taught the course several times now, and so far he's never let us down!
   
(Fall 2006) ENGL 265: New Approaches to Media History and Criticism (Graduate)
The Wandering Jew's Chronicle is a chronological ballad published between 1630 and 1830 in at least ten broadsides and two chapbooks. Each version relates the succession of the throne of England between 1066 and that version's date of publication. One broadside version has previously been digitized by the UCSB Early Modern Center's English Ballad Archive; this project will digitise the remainder One broadside version has previously been digitized by the UCSB Pepys Ballad Archive; this course will complement ongoing, interdisciplinary research into Early-Modern ballads at UCSB and extend it chronologically and thematically. The first quarter will survey appropriate readings in book history and print culture, including oral and visual communication; typography and other aspects of the material text; the development of the ballad trade; and the history of ballad collecting and study. In the second quarter we will intensively study the ballad itself, preparing it for textual criticism and digital publication. We will scan images and transcribe text from all surviving versions, collating their variants. A single, edited version that documents the text's complete variants will be the theoretical goal of the project, as will a version or versions suitable for performance or reading. Specialized digital humanities software will be critically assessed for our purposes. The project will ultimately make available all versions of the ballad, together with appropriate critical apparatuses and commentaries, through online publication. We will also study the ballad's place within early-modern historical and political thought, through readings in nationalism, cultural theory and historiography. The first quarter provides an historical introduction to the ballad form [English 231: English Broadside Ballads, 1500-1800 Patricia Fumerton, Winter 2007] as well as an introduction to the project phase. This course will run half-time, meeting alternate weeks, over Fall 2006 and Winter 2007; students may audit the Fall quarter only.
Course Website
   
(Fall 2006) English 10 Early Modern Specialization (Undergraduate)
   
(Fall 2006) English 10 Early Modern Specialization (Undergraduate)
   
(Fall 2006) ENGL 231: Studies in Renaissance Literature: Shakespeare (Graduate)
The goal of this course is to provide an approach to Shakespearean studies at the graduate level through a study of ten Shakespeare plays generally termed “tragedies”: Titus Andronicus, Romeo and Juliet, Julius Caesar, Hamlet, Othello, Lear, Macbeth, Timon of Athens, Antony and Cleopatra, and Coriolanus. Most of our time will be spent grappling with the details of these complex texts, but during the seminar we will also attempt to touch upon such topics as Shakespeare’s use of sources, Elizabethan rhetoric, Elizabethan stage practices, the stage histories of Shakespeare’s plays, the printing of Shakespeare’s texts and the formation of the Shakespearean canon, the history of Shakespearean criticism and scholarship, modern editing and textual criticism, and Shakespeare on film. All students, including those not taking this course for credit, will be expected to attend every class and to participate actively in discussion. Writing requirements will include a brief (1-2 page) paper each week on the assigned reading for that week and a 10-12 page research paper either on the relationship of one of the plays to its source material or some other topic related to the issues of the course.
   
(Fall 2006) ENGL 231: Studies in Renaissance Literature : Milton and His Contemporaries (Graduate)
   
(Fall 2006) ENGL 265 Seminar in Special Topics : New Approaches to Media History and Criticism: Editing the Wandering Jew's Chronicle (Graduate)
This course combines the study of early-modern cheap printed media with modern digital textual scholarship. The Wandering Jew's Chronicle is a song-ballad of the monarchy of England, printed forms of which survive in eleven broadside and other cheap versions dating from 1630 to 1830. Each version relates the succession of the throne of England, starting in 1066 and cumulative to each time of publication. The versions are often illustrated with woodcuts and are characteristic of the period's typographical development. One broadside version has previously been digitized by the UCSB Pepys Ballad Archive; this course will complement ongoing, interdisciplinary research into Early-Modern ballads at UCSB and extend it chronologically and thematically. The first quarter will survey appropriate readings in book history and print culture, including oral and visual communication; typography and other aspects of the material text; the development of the ballad trade; and the history of ballad collecting, editing and study. The second quarter will intensively study the ballad itself, preparing it for textual criticism and digital publication. We will scan images and transcribe text from all surviving versions, collating their variants. A single, edited version that documents the text's complete variants will be the theoretical goal of the project, as will a version or versions suitable for performance or reading. Specialized digital humanities software will be critically assessed for our purposes. The project will, for the first time, make available all versions of the ballad, together with appropriate critical apparatuses and commentaries, through online publication. We will also study the ballad's place within early-modern historical and political thought, through readings in nationalism, cultural theory and historiography. The first quarter provides an historical introduction to the ballad form [English 231: English Broadside Ballads, 1500-1800 Patricia Fumerton, Winter 2007] as well as an introduction to the project phase. This course will run half-time, meeting alternate weeks, over Fall 2006 and Winter 2007; students may audit the Fall quarter only.
   
(Spring 2006) ENGL 10-EM: Introduction to Literary Studies (Undergraduate)
   
(Winter 2006) ENGL 102: English and American Literature from 1650 to 1789 (Undergraduate)
Meets on: MWF 11:00 AM - 11:50 AM, GIRV 1004
Prerequisites: Writing 2, 50, or 109; English 10; or upper-division standing

Satisfies a GE area G and a Writing requirement Not open for credit to students who have completed English 30.

This class on British and American literature of the "long 18th century" (1660s-1790s) will examine a range of anglophone representations of authority and authorship in the politically and culturally lively period that extends from the English Civil Wars through the American War of Independence. We'll be reading works by Aphra Behn, Daniel Defoe, Alexander Pope, and Benjamin Franklin, among others, that map out some of the period's national and transatlantic conversations.

   
(Winter 2006) ENGL 10-EM: Introduction to Literary Studies (Undergraduate)
Early Modern Gender, Love, and Popular Culture
Meets on: TR 3:30 PM - 5:10 PM, GIRV 2124

This course is recommended for students interested in doing a future Early Modern specialization. English 10 is required for all English majors and recommended for English minors. This course satisfies the last half of the GE Area A requirement.

This introduction to literary study, offered through the Early Modern Center, will focus on 16th and 17th Century British literature. The course will be interested in looking at representations of love, courtship, romance (and Romances), sexualities, genders and gender roles(including queer genders). Additionally, we'll be thinking about what makes literature "popular" or "good." Toward that end, texts for the class will include ballads, sonnets, excerpts from prose romances, Sheakespeare's Taming of the Shrew, and Jonson's Epicoene.

   
(Winter 2006) ENGL 10-EM: Introduction to Literary Studies (Undergraduate)
Meets on: MW 9:30 AM - 11:10 AM HSSB 1211

This course is recommended for students interested in doing a future Early Modern specialization. English 10 is required for all English majors and recommended for English minors. This course satisfies the last half of the GE Area A requirement.

   
(Winter 2006) ENGL 105A: Shakespeare: Poems and Early Plays (Undergraduate)
Meets on: TR 2:00 PM - 3:15 PM, BUCH 1910
Prerequisites: Writing 2, 50, or 109; English 10; or upper-division standing

Satisfies a GE area G and a Writing requirement Can be used for the Early Modern specialization. If this course is used to fulfill the Shakespeare requirement for English major, it cannot also be used as an upper-division English elective.

The course will cover five of Shakespeare’s plays from the first half of his theatrical career: A Midsummer Night's Dream, The Merchant of Venice, Richard II, Henry IV part 1, and Hamlet. Video productions will supplement lectures and discussion as a way of understanding the dramatic character and values of the plays. Students can expect to write two essays, a midterm and a final exam.

   
(Fall 2005) ENGL 10-EM: Introduction to Literary Studies (Undergraduate)
Meets on: MW 8:00 AM - 9:40 AM, Arts 1251
   
(Fall 2005) ENGL 10-EM: Introduction to Literary Studies (Undergraduate)
Meets on: MW 1:00 PM - 2:40 PM, SH 1415
   

Making Publics Events

(9/25/2008) CFP: Newberry Library Colloquium 2008
September 25-27, 2008, Newberry Library, Chicago.

The Making Publics Project is soliciting submissions for a colloquium titled "New Worlds, New Publics: Re(con)figuring Association and the Impact of European Expansion, 1500-1700" at the Newberry Library in Chicago; please refer to the Call for Papers for further information.
   
(5/25/2007) Undergraduate Conference
Friday, May 25, 2007, South Hall 2635, 1-4pm

This conference features exceptional work by undergraduates at UCSB. Reception to follow.

   
(5/18/2007) Frank Lestringant
Friday, May 18: 3:00 to 5:00pm, SH 2635 or HSSB 1173. Title of Talk: "Shipwreck with Beholder and Theatrum Mundi. On Life's Metaphors in Renaissance Culture."

Frank Lestringant, Professor of French Renaissance Literature at the Sorbonne, is the author of more than 30 books on travel, geography, religion, and many other aspects of the Renaissance. He has edited a book on French colonization of the Americas, Le France-Amérique (16th-18th centuries), and is author of Jean de Léry ou l’invention de sauvage, which examines representations of Brazilian Indians in Jean de Lery’s 16th century travel writings.

This event is co-sponsored by the Renaissance Studies and the Department of French and Italian.

   
(4/24/2007) Leslie Tuttle
TITLE: "One people and one blood? Marriage and Miscegination in Louis XIV's Atlantic Empire."

TIME: Tuesday, 24 April at 3:30 pm in HSSB 4020.

Professor Tuttle is an Assistant Professor of History at Kansas. Her current research focuses on the role of gender and sexuality in the solidification and centralization of royal power in seventeenth and eighteenth-century France. The book project she is working on, tentatively titled "Sacred and Politic Unions: Natalist Policy in Absolutist France," examines Old Regime policies that accorded privileged status to men who married and fathered large families.

This event is sponsored by Renaissance Studies and the EMC.

   
(4/18/2007) William St. Clair Lecture
The Cambridge book historian, William St. Clair, the author of The Reading Nation in the Romantic Period and Senior Research Fellow at Trinity College, Cambridge University, will be giving a lecture called "The Political Economy of Reading" in 2635 SH at 3:30 PM on Wednesday April 18, 2007. Prior to the lecture, he will be discussing his work with faculty and graduate students. The discussion will take place at 1:30 PM - 3:00 PM in 2635 SH.
   
(4/13/2007) Richard Halpern
Please join us for Richard Halpern's talk: "Eclipse of Action: Hamlet and Political Economy" on Friday, April 13, 3:00 p.m. in South Hall, 2635.

Richard Halpern, professor of English at Johns Hopkins, is author of Shakespeare's Perfume: Sodomy and Sublimity in the Sonnets, Wilde, Freud and Lacan (Penn, 2002), which explores relations between sexuality and aesthetics. Previous books include Shakespeare Among the Moderns (Cornell, 1997) and The Poetics of Primitive Accumulation: English Renaissance Culture and the Genealogy of Capital (Cornell, 1991).

   
(4/11/2007) Lucie Skeaping Lecture/Performance
Wednesday, April 11, 4-5:30 pm., McCune Conference Room, IHC.

An illustrated lecture and performance of seventeenth-century English broadside ballads by renowned British performer and BBC radio host, Lucie Skeaping, accompanied by instrumentalist Robin Jeffrey. For more infomation, visit www.lucieskeaping.co.uk (click on "Illustrated Lecture-Recital"). Reception will follow in the IHC.

This event is co-hosted with the Renaissance Studies Program.

   
(3/9/2007) Winter Conference: Making Publics 1500-1800 (March 9-10)
An Interdisciplinary Conference Sponsored by the Early Modern Center. What were early modern publics? How were they formed? What needs did they serve for those who participated in them? And how did they relate to the emergence of a cultural formation that we recognize as distinctly early modern? These are among the questions we seek to address in this conference. Click Here to visit the conference webpage.
   
(2/8/2007) Roger Chartier - Everett Zimmerman Seminar and Lecture

2/8/2007 3:30 PM - 5:00 PM Seminar at SH 2635

2/9/2007 3:00 PM - 5:00 PM Lecture at State Street Room

We are very pleased to announce that Professor Roger Chartier, Annenberg Visiting Professor at the University of Pennsylvania and Directeur d'Études at the École des Hautes Études in Paris, will direct the Everett Zimmerman Seminar, to be held February 8 and 9, 2007. Professor Chartier’s scholarship in early modern European history has been central to the study of print culture and the history of the book.

The Zimmerman Seminar, established in honor of Everett Zimmerman, Professor of English, brings a distinguished eighteenth-century scholar from a field such as literary studies, history, history of science, history of art, philosophy, law, religion, or music to campus to discuss his or her work with students and faculty. The Zimmerman Seminar is hosted by the Early Modern Center in the Department of English.

   
(11/17/2006) Fall Colloquium with Paul Yachnin and Dena Goodman
Friday, November 17th.

Paul Yachnin, Professor of English, McGill University; Title of talk: "Hamlet and the Social Thing in Early Modern England." Description: --"How can we best describe the socio-political dimension of the play Hamlet?" The ideas about artistic and intellectual works and public making that are emerging from the Making Publics project can yield an answer to this question likely to be more historically and critically illuminating than either old-style or new-style readings for ideological content. A focus on public making will be able to explain the play's socio-political dimension in terms of meaningful practices rather than textual meanings and in terms of the social agency of things such as performances and books rather than the agency of writers like Shakespeare. Such a focus is not at all to exclude textual meanings or artistic agency, but only to shift the interpretive task away from what could be called the imaginary field of literary public utterance."

Dena Goodman, Professor of History, University of Michigan; Title of talk: "Habermas and Feminist Scholarship: Going Beyond the Public Sphere" Description: Jürgen Habermas’s Structural Transformation of the Public Sphere has been informing scholarship in eighteenth-century studies for the past twenty years. German scholars took note of it when it appeared in 1962, but it was not until the French translation (1978) and especially the English one (1989) appeared, that it began to play an important role in the interdisciplinary and transnational field of eighteenth-century studies. The publication in 1988 – a year before the English translation of Habermas – of Joan Landes’s Women and the Public Sphere in the Age of the French Revolution meant that from the beginning, the question of gender has been central to debates about Habermas and the public sphere as these have developed in eighteenth-century studies, just as Habermas and Landes have been central to the “cultural turn” in the history of women and gender in the eighteenth century, and to the interdisciplinary “cultural” ground at the intersection of women’s studies and eighteenth-century studies as this has taken shape. In other words, as debates on Habermas and the public sphere have taken gender as a central topos and problematic, Habermas and the public sphere have been equally central to debates concerning women and gender in the eighteenth century. In this talk, I would like to give a brief account of where this interest in Habermas, the public sphere, and women and gender in the eighteenth century has taken us and to suggest where we should go from here. I will draw on my own current research on women and letter writing in eighteenth-century France for examples of how Habermas can take us in new directions. In particular, I will propose that we leave the public sphere behind and take more seriously what Habermas has to say about privacy.

Each presenter will speak for 40-50 minutes, with a 10 minute discussion after each talk; Ken Hiltner and William Warner will be our faculty respondents, and Eric Nebeker and Laura Miller will be the EMC graduate respondents. The colloquium will conclude with a roundable discussion followed by a reception.

Click Here to visit the conference webpage.
   
(6/9/2006) Early Modern Center Brown Bag #2
June 9, 2005, 12:00-1:30, SH 2617

Please bring your lunch to this showcase of EMC Graduate Students' work, including:

  • Pavneet Aulakh, English, "The Kingdom of Our Own Language"

  • Laura Miller, English, "Analytical Vision and the Argument from Design in The Rape of the Lock"

  • Revell Carr, Ethnomusicology, "Researching Song Texts in 19th Century Sailors' Journals"
  • Each presenter will speak for 15-20 minutes and the event will provide ample time for response and discussion.

       
    (5/16/2006) 18th Century Reading Group
    May 16th, 2006, 4:30, Early Modern Center (South Hall 2510)

    Please join the long-18th-Century Reading Group for an informal discussion of William St. Clair’s book, The Reading Nation in the Romantic Period, Thursday, May 4th, at 4pm in the EMC.

    The readings—Chapter One (Chapter Two optional); “The Political Economy of Reading” (St. Clair’s Coffin Lecture for the School of Advanced Study, University of London); and Andrew Elfenbein’s very short review of the book—will be available shortly at the front desk in the department office in a file marked “18th-c Discussion Group.”

       
    (5/5/2006) Early Modern Center Brown Bag Series
    May 5, 2006, 12:00-1:30, South Hall 2635

    Please bring your lunch to this showcase of EMC Graduate Students' work, including:

    · Mac Test, English: "Aztec Sacrifice in Spenser's Faerie Queene"

    · Vanessa Coloura, English: "Science and Spectacle in Aphra Behn's The Emperor of the Moon"

    · Maggie Sloan, English: "'My brain is on fire!': Aggression, Knowledge, and Mentorship in Frances Burney and Maria Edgeworth"

    Each presenter will speak for 15-20 minutes and the event will provide ample time for response and discussion.

       
    (1/23/2006) Coffee with Angus Fletcher, 10:00 am - 11:00 am, EMC
    Graduate students are encouraged to join Renaissance job candidate Angus Fletcher for coffee on the morning of his talk. These coffees are excellent opportunities to meet and talk with the candidates.
       
    (1/23/2006) Angus Fletcher Lecture, 3:30 pm- 5:00 pm, SH 2635
    "Living Magnets and the Pathology of Grace in Donne's Religious Verse"
       
    (1/20/2006) James Kearney Lecture, 3:30 pm - 5:00 pm, SH 2635
    "Doctor Faustus and the Seductions of the Text"
       
    (1/20/2006) Coffee with James Kearney, 10:00 am - 11:00 am, EMC
    Graduate students are encouraged to join Renaissance job candidate Jim Kearney for coffee on the morning of his talk. These coffees are excellent opportunities to meet and talk with the candidates.
       
    (1/17/2006) Coffee with Ken Hiltner, 10:30 am - 11:30 am, EMC
    Graduate students are encouraged to join Renaissance job candidate Ken Hiltner for coffee on the morning of his talk. These coffees are excellent opportunities to meet and talk with the candidates.
       

    Making Publics Links

    Back to Themes