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Contemporary discussions of risk and speculation often identify these concepts as distinguishing features of modern (or postmodern) societies. With this year's EMC theme, we seek to explore and investigate early modern English cognates, forebears, and analogues of “risk”--including, but not limited to, “hazard” and “venture”--in early modern literature and history from religious, economic, political, and environmental perspectives.

Please visit our "Risk, Crisis, Speculation: 1500-1800" conference website here.


Risk, Crisis, Speculation: 1500-1800 Courses

(Summer (II) 2013) ENGl 101: English Literature from the Medieval Period to 1650 (Undergraduate)
   
(Summer (I) 2013) ENGl 102: English and American Literature from 1650 to 1789 (Undergraduate)
   
(Spring 2013) ENGL 65GL: Topics in Literature : The Good Life (Undergraduate)
Good friends, good food, good conversation: these are some of the things that make up “The Good Life” in the work of many poets in the mid-seventeenth century, including several living through the English civil wars. This course will explore the ideal of the "good life” as developed by English poets such as Ben Jonson, Robert Herrick, Richard Lovelace, Andrew Marvell, and more. It will also explore the ways writers used the ideal of the good life to cope with bad times and contest the political enemies during the English civil war.
   
(Spring 2013) ENGL 105B: Shakespeare: Later Plays (Undergraduate)
In this course we will study five plays from the second half of Shakespeare’s career: Coriolanus, Antony & Cleopatra, Macbeth, King Lear, and The Tempest.
   
(Spring 2013) ENGL 165EM: Topics in Literature : Cities and Literature: London and Boston in the 17th and 18th centuries (Undergraduate)
This course will investigate the relationship between, on the one hand, historically distinct forms of literature, and, on the other, the production of space into the lived places between the 16th and 18th century. Among our chief lines of investigation will be: How do distinct spaces and performances of literature (whether aural and silent) mediate each other? Can we understand literature, whether written or spoken, as vibrant matter that thrives within the ecological niche provided by the early modern city and town? Just how are the distinct genres and forms of literature (drama, poetry, non-fiction narrative, novel) shaped to urban spaces so they can proliferate as private and public entertainment? What sort of audience practices and experiences do they afford? Our course readings will range from two popular non-Shakespearean city comedies (Ben Jonson’s Epicene {1600} and Thomas Dekker’s The Shoe-maker’s Holiday {1609}); Defoe’s account of London’s response a health catastrophe in Journal of the Plague Year {1722}; the literary work needed to envision and execute the plantation of New England by the first Puritans (John Winthrop, Increase Mather, Ann Bradstreet, Ann Hutchinson), as well as Hawthorne’s classic account of the costs and contradictions of that project in the The Scarlett Letter {1850}. We will draw freely on maps and poetry to deepen our understanding of urban place and literary tropes. Course assignments include one short 2-page essay (a close reading of a literary text), a “media remix performance” at the end of the term, and a final paper related to that performance. Note: This course will be co-taught with Renaissance scholar and EMC Fellow, Christopher Foley.
   
(Spring 2013) ENGL 197: Upper-Division Seminar : Literature of Boston, 1630-1850 (Undergraduate)
This course will investigate the relationship between, on the one hand, historically distinct forms of literature, and, on the other, the production of space into the lived places (streets, wharfs, buildings) of Boston between the founding and 1850. Among our chief lines of investigation will be: How do distinct spaces the aural and silent performances of literature mediate one another? Can we understand literature, whether written or spoken, as vibrant matter that thrives within the ecological niche provided by the early modern town, thriving 18th century port, or great the 19th century city? What sort of audience practices and experiences does this literature afford? Our course readings will range from the literature of the founding of New England (John Winthrop, Increase Mather, Ann Bradstreet), to the contradictions between the religious and economic freedom the Puritans sought and the intolerance and punishments that they sometimes inflicted (Ann Hutchinson, Mary Dyer, Roger Williams and the Native American critique of the new settlements). The Native American rejection of the English settler invaders becomes violent with King Philips War, which kills one in every 10 English settler (Mary Rowlandson’s captivity narrative). We will take account of Boston’s emergence in the 18th century as a town of wealth, power and self-confidence, by studying Samuel Adam’s written and oral leadership of Boston’s vigorous opposition to British colonial rule, which culminates in the American Revolution. Finally the second part of the course will focus upon two classic rewritings of Boston as puritan settlement {Nathaniel Hawthorne’s The Scarlett Letter {1850}) and the Boston suburb of Concord as a place of nature (Henry David Thoreau’s Walden {1854}). Course assignments include quizzes on reading, one seminar presentation (with 2-page essay), and a final 7-page research paper.
   
(Spring 2013) ENGL 231: Studies in Renaissance Literature : Shakespeare, Marlowe, & EM Political Thought (Graduate)
   
(Winter 2013) ENGL 157: English Renaissance Drama : Renaissance Comedy (Undergraduate)
   
(Winter 2013) ENGL 165MT: Topics in Literature : Material Text in Early Modern England (Undergraduate)
When we pick up a piece of literature, we tend not to think about the complex material conditions through which that literature becomes available to us. These conditions, however, can have a significant impact on the way we understand the literature of any given period. This course will examine those conditions for the early modern period. In doing so, we will discuss manuscript circulation of literature, print and the commercial book market, conditions of authorship, and the various transformations literature undergoes before it becomes available to us as modern readers and students.
   
(Winter 2013) ENGL 197: Upper-Division Seminar : Broadside Ballads: Popular Culture in Early Modern England (Undergraduate)
This course will focus on cultural and historical contexts of broadside ballads in early modern England (1600-1700). Broadside Ballads were a very popular form of entertainment, printed on single sheets of paper with illustrations and tunes. We will discuss the development of this form, looking at the texts as art, music, and poetry. Most of our material will come from the English Broadside Ballad Archive.
   
(Winter 2013) ENGL 101: English Literature from the Medieval Period to 1650 (Undergraduate)
   
(Winter 2013) ENGL 102: English and American Literature from 1650 to 1789 (Undergraduate)
This lecture on British and American literature of the long 18th century (1660s-1790s) will examine representations of authority and authorship in the politically and culturally lively period that extends from the English Civil Wars through the American War of Independence -- a century-plus of revolutions. We'll be reading works by Aphra Behn, Benjamin Franklin, John Milton, Alexander Pope, Jonathan Swift, and Phillis Wheatley, as well as the first Gothic novel, to see how these texts map out some of the period's national and transatlantic conversations.
   
(Winter 2013) ENGL 105A: Shakespeare: Poems and Early Plays (Undergraduate)
   
(Fall 2012) ENGL 231: Early Modern Risk (Graduate)
Inspired by the “Speculative Risk” programming of last year, this course will pursue the topic of risk in early modern England. In most contemporary discussions of the topic, risk is correlated with modernity. In this course we will address the emergence of some modern conceptions of risk in early modern economic practice and political theory. We will also explore premodern cognates to the notion of risk in concepts like chance and hazard, contingency and calculation, uncertainty and exposure to loss. In our inquiry into early modern risk, we will read More’s Utopia, Bacon’s New Atlantis, book two of Spenser’s Faerie Queene, Marlowe’s Doctor Faustus, and Shakespeare’s Merchant of Venice and The Winter’s Tale. In the course of our conversation we will also touch on the thought of Aristotle, Augustine, Luther, Hobbes, Blumenberg, Derrida, and Butler as we discuss topics ranging from utopian desire and societal engineering to the rise of speculative capitalism and insurance, from the dangers of maritime trade and metaphors of shipwreck to moral philosophy and the technologies of the self, from the hazards of transformative reading and religious conversion to hospitality, affective calculation, and the madness of decision.
   
(Fall 2012) ENGL 101: English Literature from the Medieval Period to 1650 (Undergraduate)
   
(Fall 2012) ENGL 15: Introduction to Shakespeare (Undergraduate)
   

Risk, Crisis, Speculation: 1500-1800 Events

(2/8/2013) Annual EMC Conference: Risk, Crisis, Speculation: 1500-1800
Contemporary discussions of "risk" or "speculation" often identify these concepts as distinguishing features of modern or postmodern societies. In this conference, we seek to explore and investigate early modern English cognates, forebears, and analogues of “risk”--including, but not limited to, “hazard” and “venture”--in early modern literature and history from religious, economic, political, and environmental perspectives. Our keynote speakers for this year's conference are Professors Joseph Roach (Yale University) and Wolf Kittler (UCSB). This year's conference is being hosted in conjunction with a one-day UC multi-campus research group ("w/Shakespeare") symposium on "Shakespeare & Risk," which will take place on UCSB’s campus on Friday, February 8th, and feature keynote speaker Professor Richard Halpern (New York University). Conference attendees and presenters are cordially invited to attend both Friday’s and Saturday’s events. For more information on this free and public conference please visit the official conference website.
   
(12/7/2012) Gathering of the Re:Enlightenment Project
The third international gathering of the Re:Enlightenment project met on December 7-9th, 2012 at UCSB. The Re: Enlightenment Project joins institutions and individuals who share a common purpose: improving the ways in which knowledge works in the world. It identifies, generates, and shares new knowledge and new practices through interactive exchanges, collaborative research and publication, and experiments in dissemination. The Project is "Re:"--"about"--Enlightenment in that it frames those initiatives within a history of Enlightenment's purchase on the present, offering not just a recounting but a re-assessment. Local Organizer and Steering Committee Member: William Warner. Director: Clifford Siskin. New York University Homepage for The Re:Enlightenment Project.
   
(3/16/2012) Winter Conference: Early Modern Social Networks, 1500-1800
March 16-17, McCune conference room, HSSB 6020. This two-day conference features keynote speakers Ann Blair, Elizabeth Eger, and James Raven. It will consist of keynote talks and panel discussions that will encourage all participants to engage the issues raised throughout the conference.
   

Risk, Crisis, Speculation: 1500-1800 Links

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