This is the most famous of the group of images Revere printed in response to what came to be called the Boston Massacre. It was apparently copied from a drawing by Henry Pelham, the half brother of John Singleton Copley, and was hand colored by Christian Remick, who cleverly uses the color red to link soldiers and victims. Much discussion of this print, published on the 26th of March 1770, has focused on its character as ‘propaganda’: the composition emphasizes the intentional firing by the troops and transforms the mostly young victims, apprentices and sailors, into Boston gentlemen, full grown men with hats and waistcoats and stockings. But this metamorphosis coincides with the sense of the town meeting of March 6th and
its coverage in the The Boston Gazette, which complains of "the blood of our fellow citizens flowing like water through King Street." (BG, 12 March 1770) The poem appended to Revere's print emphasizes that Whig protest in the wake of the Massacre depended upon the town meeting's enthusiastic adoption of the not entirely respectable apprentices and seamen who started the trouble on King Street: "Unhappy Boston! see they Sons deplore,/ Thy hallow'd Walks besmear'd with guitless Gore."